It’s a darker side of Immi, who dedicates her all and neglects sleep to piece together this instrument that senses hand movements and connects them with instruments, effects, and other musical pieces within Ableton and elsewhere. Throughout the span of the feature, it shows Imogen and a crew attempting to put together a musical instrument called The Gloves and the struggles to put together a show to be debuted live directly after the film. Imogen also paired up to present a mini-documentary on a song not yet released entitled “Me The Machine” that is a must watch for music and technology fans. “Telemiscomunications” was confirmed through both artists to be both part of Joel Zimmerman’s latest record >Album Title Goes Here< as well as the unnamed Heap record. While it was a glamourous track in its own compositional and culturally exploratory right, time constraints hindered the mixing process, causing the track to suffer an insufficient balance of low-end frequencies. The “Xizi…” article was a tough one to write. Last we properly heard from Imogen Heap’s proper journey to creating her fourth solo album, was through a #heapsong titled “Xizi She Knows” and a collaboration with EDM’s Deadmau5 for his closing track “Telemiscomunications”. The Thames itself came to the rescue and thredded everything together through the overlapping of time-lapse footage.Track by track: Lifeline | Propeller Seeds | Minds Without Fear/Neglected Space | Xizi She Knows | Me The Machine | Telemiscommunications | You Know Where To Find Me These recordings were then compiled together and edited to create the final recording with the concluding 15th piano, Heap’s own at home, filling in any blanks.Īlthough Heap sat with the producers to try and link each section with accompanying footage, due to the song being different at each location, the task proved to be easier said than done. It was here she found herself improvising and, through the influence of each and piano and surroundings, generated the rest of the song. In addition to this, having already scheduled the filming for the music video, Heap took what she’d written into 13 volunteering houses and flats across Edinburgh. While the introductory verses call for the listener to “be still” with the river, the tide inevitably begins to rise to a climax as it reveals a darker side before the gentle return to stillness.įollowing her night in the boat, Heap had still yet to complete the song and had only fragments to play during a livestream the following day. With these videos detailing thoughts of passersby on what the Thames meant to them, Heap pieced together lyrics which personify the Thames as the emotional outlet it is for many people. Prior to her night in the Purcell Room, Heap gathered 2 elements to take into the room with her: the title, since everyone would know where to find her on this particular day, and video submissions gathered by The Listening Chair.
Taking the role of ‘the piano song’, and swapping positions from album closer to opener, the song sees Heap take on the character of the River Thames. Born out of a commission from the organisation ArtAngel, the foundations of “You Know Where to Find Me” were laid during an all-nighter in the boat atop London’s Queen Elizabeth Hall.
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